DT-880 Pros are pretty well reviewed already –they’ve been around for a while, after all- so why should you read this one? Well, first of all it’s another opinion and, secondly, as far as I can find, no-one has talked about their suitability for house music production on the road using an Apogee One as an interface. I’ll assume that you’ve read some other reviews and product descriptions, so I’ll not repeat all of the basics and just concentrate on my experience with these headphones.
DT 880 Pro: Build Quality, Comfort and Appearance
Let’s start with comfort. Despite being a bit heavier than its main competitors, the Sennheiser HD650s and the AKG K701s, these are comfortable ‘phones. There isn’t too much downward pressure on the top of your head; the inward pressure feels reassuring, with a feeling of closeness without causing any discomfort, even after long listening sessions. The material used for the padding is smooth and soft, and doesn’t make your head too sweaty, which is always a bonus.
Appearance is pretty good too. The ‘phones come in a nice foam-lined zip up case and look the part. If I have any complaints, it’s that the cradles that support the cups look like a bit of a design afterthought, and the exposed cabling looks thin and fragile, but then, these headphones are cheaper than both the AKGs and the Sennheisers.
Build quality and potential long-term functionality is where I start to have issues. First off, the cable is non-detachable, being moulded into the bottom of one of the cups, so any wiring issues are going to be complicated to resolve, with higher repair bills, as described in this review. If I’m being honest, I don’t think any phones at this price point should have moulded cables, particularly those with ‘Pro’ in the name.
I’m also not sure about running that thin little cable from one cup to the other by tucking it under the detachable headband. Those cables seem very delicate, and I’m genuinely quite concerned about them snagging on something at somepoint, having them pulling out of the cups, and expensive repair bills resulting. Not sure that this feeling of breakability inspires confidence in a pair of working headphones. Compared with my Sennheiser HD555s, which were a third of the price, this cup to cup cabling arrangement seems poor.
The size adjustment is also a bit clunky, with the cup, brackets sliding back and forth in not a particularly smooth way. This is something I expect to be doing a lot of, as, with the ‘phones fitted to my head, putting them back in the case means that the moulded cable is at quite an extreme angle, and under a lot of stress, due to the snug fit in the case, so, to minimise that, I have to push the brackets back in again. Then, every time I resize, I’m concerned I’m going to catch the cables with my fingers.
DT 880 Pro: Sound
The sound performance is where the DT 880 Pros redeem themselves. These are the best ‘phones, from an accuracy perspective, that I’ve heard. The HD650s are perhaps more exciting to listen to, with the more ‘hyped’ bass response, but for critical mix decisions, I’d feel more comfortable trusting these; everything just seems more flat, and ‘egalitarian’ in the mix. Bass is low and extended, but feels well controlled. These are exceptionally good sounding headphones for the money.
Listening through an Apogee One after allowing a good length of burn in time, playing a variety of tracks showed this to be a good, reliable performer, from Alison Krauss to Maya Jane Coles, via KT Tunstall, Teenage Fanclub, Jacqueline du Pre and The Pretenders. I enjoyed the level of detail, accurate soundstage and the depth of the mix that was presented. Great performers.
DT 880 Pro: Deep House Production
So, the real reason for using these ‘phones, those late night deep house production sessions when using monitors is out of the question. After firing up Ableton Live 8, plugin 112 dB’s excellent Redline Monitor plugin into the master effects, I got to work. I can’t remember the last time I found it this easy to dial in a good kick sound. I usually layer two or three, and filter and eq to get them working together, then compress. I had a sound I was happy with in next to no time. Balancing and eqing my layered clap and snare hits was a breeze, and before I knew where I was, I had the bass sitting comfortably in a hole and, to me at least, a reasonably complete groove going on.
As I’ve discussed in a previous post, I would rather mix on good headphones than cheap monitors in an untreated room; these ‘phones have raised the bar as to what good monitors in a good room are. I can see myself spending a lot more time mixing on these, the level of detail available to make those critical decisions and hear those little distortions is fantastic. Combined with the Redline plugin, I really do have the confidence to make mix decisions on these.
DT 880 Pro: Summary
Well, the sound is spectacular, I feel happy mixing on these, and would much rather mix on these than speakers that are getting to a less than modest price point. The issue for me really is that feeling of delicacy, and, if there is a problem, a large repair bill. Despite the protective case, I can’t picture myself travelling with these ‘phones, which is a shame as it would be fantastic not to have to waste hours remixing everything when I get back to the studio. Unfortunately, I think I’ll stick to my K271 mkIIs for the road, even with their lack of bass response, purely as they feel more robust and have a detachable cable. Oh, and their closed back so I’ll annoy fewer people in coffee shops!
Fynn's House and Audio Tech Notes 